Chronicles and captures poetically the history, mood, and movement of African American music.

A journey through the history of country music.

Examines the traditional music played by three Latino children in the United States, including Spanish flamenco, Mexican rancheras, and Caribbean salsa.

Presents the history of hip-hop including how it evolved from folktales, spirituals, and poetry, to the showmanship of James Brown, to the culture of graffiti art and breakdancing that formed around the art form.

"Millie danced to jazz in her Italian neighborhood. Pedro danced to Latin songs in his Puerto Rican neighborhood. It was the 1940s in New York City, and they were forbidden to dance together . . . until first a band and then a ballroom broke the rules. Machito and His Afro-Cubans hit the scene with a brand-new sound, blending jazz trumpets and saxophones with Latin maracas and congas creating Latin jazz, music for the head, the heart, and the hips....

''Play for all that are gone and for all that are still to come.'' Once the dam is finished, the land will be flooded. But before it is lost forever, Kathyn and her father return to the still and silent valley and fill the empty homes with one final song. And if you listen closely you can still hear it. -- a song for all that was and all that will never be. --Blurb. ''This is a true story. It was told to me by Mike and Kathryn Tickell. Kielder Water...